Skip to Main Content
The Catholic University of America
Law School Home Law Library Home Law Library Catalog Databases Student Spaces

Law School Special Collections, Archives & Law Library Exhibits

About the Exhibit

The Kathryn J. DuFour Law Library celebrates Black History Month with the installation of an exhibit honoring this year's theme, African Americans and the Arts

Several books focusing on the arts are available for download from the law library. Full access to these titles is available by scanning the QR code in the display or clicking on the links in the gallery below.

Also, check out a collection of biographies of African American lawyers. The books will be displayed throughout the month of February.

2024 Theme – African Americans and the Arts

2024 – African Americans and the Arts"African American art is infused with African, Caribbean, and the Black American lived experiences. In the fields of visual and performing arts, literature, fashion, folklore, language, film, music, architecture, culinary and other forms of cultural expression, the African American influence has been paramount. African American artists have used art to preserve history and community memory as well as for empowerment. Artistic and cultural movements such as the New Negro, Black Arts, Black Renaissance, hip-hop, and Afrofuturism, have been led by people of African descent and set the standard for popular trends around the world. In 2024, we examine the varied history and life of African American arts and artisans."

Read more here - https://asalh.org/black-history-themes.

Books Available Online

Building the Black Arts Movement

“This work documents & analyzes Hoyt Fuller's profound influence on the Black Arts movement. Using historical snapshots of Fuller's life & activism as a means to rethink the period, it provides a fresh take on the general trajectory of African American literary, & cultural, studies as the field developed over the course of two explosive decades in the mid-twentieth century.”

Book cover of  Building the Black Arts movement : Hoyt Fuller and the cultural politics of the 1960s by Jonathan Fenderson

Roots of the Black Chicago Renaissance

“This anthology engages questions about origins of the Black Chicago Renaissance (1930-1955) from wide-ranging disciplinary perspectives. It traces a foundational stage from the 1893 World's Columbian Exposition to onset of the Depression.”

Book cover of Roots of the Black Chicago Renaissance edited by Richard Courage and Christopher Robert Reed

Jumping the Color Line

“With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers - images that were at least partly at odds with those typically found in major Hollywood productions.”

Book cover of Jumping the Color Line by Susie Trenka

African American Arts

“Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S.”

Book cover of  African American arts : activism, aesthetics, and futurity by Carrie Mae Weems

Brotherhood in Rhythm

“The book narrates the Nicholas Brothers’ soaring careers, from Cotton Club appearances to film-stealing big-screen performances. The book documents their struggles against the nets of racism and segregation that constantly constrained their careers and denied them the recognition they deserved.”

Book cover of  Brotherhood in rhythm : the jazz tap dancing of the Nicholas Brothers by Constance Valis Hill

To be real : truth and racial authenticity in African American standup comedy

“Lanita Jacobs analyzes a decade of Black standup comedy to understand 'realness' and 'real Blackness' as a cultural imperative in African American culture. By consciously valuing a 'real' - as opposed to strict notions of 'the real' (which too often essentialize, objectify, and exclude) - this book reveals why authenticity matters to African Americans.”

Book cover of  To be real : truth and racial authenticity in African American standup comedy by Lanita Jacobs

Black Cultural Production After Civil Rights

“Through its analysis of film, drama, fiction, visual culture, poetry, and other cultural -artifacts, Black Cultural Production after Civil Rights offers a fresh examination of how the historical paradox by which unprecedented civil rights gains coexist with novel impediments to collectivist black liberation projects.”

Book cover of Black cultural production after civil rights by Robert Patterson

The Divine Nine

Come by the law library to learn more about the "Divine Nine".  Brief profiles of each of the member organizations is displayed.

“The National Pan-Hellenic Council, affectionately known as the “Divine Nine,” is composed of the following member organizations (listed in order of their founding):

  • Alpha Phi Alpha Fraternity, Inc.
  • Alpha Kappa Alpha Sorority, Inc.
  • Kappa Alpha Psi Fraternity, Inc.
  • Omega Psi Phi Fraternity, Inc.
  • Delta Sigma Theta Sorority, Inc.
  • Phi Beta Sigma Fraternity, Inc.
  • Zeta Phi Beta Sorority, Inc.
  • Sigma Gamma Rho Sorority, Inc.
  • Iota Phi Theta Fraternity, Inc."

According to the National Museum of African American History & Culture:

"Black Greek-letter organizations (BGLOs) emerged during a period that is characterized as a low point in American race relations. These associations were established on the principles of personal excellence, racial uplift, community service, civic action and kinship. Their emergence coincided with significant national developments, including the rise of Jim Crow laws, the popularity of scientific racism, and widespread racial violence and prejudice.  Black students, whether studying at historically Black colleges and universities (HBCUs) or predominantly white institutions, came together to create these organizations, forging familial ties to one another and outreach within the larger Black community. Those kinships and ties endure to this day. BGLOs formed at a time when Greek life at predominantly white institutions excluded Black students. Today, the nine BGLOs that comprise the National Pan-Hellenic Council, known as the Divine Nine, have an impact on community service and civic engagement, through outreach programs that include literacy, professional development and voter registration."